Original Abstract & Triptych Art — Hand-Painted in the UK

Welcome to WrightSonArts – Original Abstract Art UK

I’m Stuart Wright, an artist specializing in triptych art, copper wall art, landscape painting, and abstract works. With over 25 years of experience—primarily self-taught—I’ve developed a unique style grounded in impasto techniques, acrylics, and richly layered textures. My work embraces natural flow and spontaneity, bringing each piece to life through unpredictability and depth.

Why Triptych Art Matters to Me

Triptych art has become a cornerstone of my portfolio. Each panel in a triptych complements the others, creating a unified yet dynamic composition. This format lends itself to storytelling, movement, and atmosphere across abstract forms, landscapes, and tree-inspired works.

My triptych art and copper wall art pieces have reached homes, banks, showrooms, and private collections in over 15 countries.

My Artistic Background

My artistic journey began with a university education in illustration, where I studied landscape, figure drawing, and abstract art. This foundation gave me the technical grounding to evolve my style over the years. Triptych art became my primary format due to its versatility and narrative strength. I’ve since expanded into copper wall art and larger landscapes, continually seeking new ways to enrich my collection and capture the beauty of the world around me.

Inspiration & Themes

My inspiration is deeply rooted in rustic buildings, aged textures, and earthy tones that reflect the passage of time. Colours like gold, red, burnt umber, and autumnal hues often appear in my triptych art, landscapes, and tree paintings. Incorporating these elements allows each piece to connect deeply with nature and celebrate the beauty of imperfections.

Copper wall art is a natural extension of these themes, offering warm metallic tones that shift with the light and bring a unique, atmospheric presence to each room.

Texture, Colour & Technique

Impasto & Layering

Working with texture and colour is central to my practice. Using impasto—a technique where paint is applied thickly to the canvas—I create layers and tactile depth that invite viewers to experience the work both visually and physically. Thick and thin colour applications, often washed or scumbled across textured surfaces, build striking complexity.

Mark-Making

I use a variety of mark-making techniques to bring expression to each piece. Traces left by brushes, knives, and other tools—straight lines, curved gestures, drips, and wiped surfaces—contribute to a sense of rhythm and movement. These marks suggest the passage of time and add depth to my triptych art and copper wall art alike.

My Artistic Process

I often begin with a loose idea or simple plan, but as the painting develops, it takes on its own direction. Each stroke or texture leads naturally to the next. In triptych art, this process is especially engaging, as each panel influences the others, allowing the composition to evolve organically in real time. This intuitive approach keeps my practice dynamic and ensures each piece remains a unique journey.

Why I Chose Painting Over Architecture

While I once considered a career in architecture, I ultimately chose painting because of the expressive freedom it provides. Architecture felt too constrained, whereas painting—particularly triptych art—allows me to follow my instincts, explore colour and texture, and embrace the evolving nature of each work.

Copper Wall Art in My Collection

My recent work with copper wall art adds warmth and depth to my portfolio. Copper interacts with light in fascinating ways, shifting throughout the day to reveal different tones and moods. It shares textural similarities with my triptych pieces but introduces a luminous metallic quality that feels both grounded and sophisticated.

Materials & Craftsmanship

I take great pride in using high-quality materials for every piece. From the canvas to the final brushstrokes, each element is carefully chosen to ensure long-lasting, engaging artwork. My triptych art often functions as an open-ended story, with each panel standing independently while harmonising as a cohesive whole.

Symbolism in My Landscapes & Tree Paintings

In my landscapes and tree paintings, colour and texture evoke the resilience and beauty of the natural world. Trees, with their strength and adaptability, are a recurring symbol—representing growth, grounding, and transformation. Many of my tree paintings are created in triptych format, offering multiple perspectives on nature’s cyclical journey.

Global Reach

Over the last 15 years, I’ve had the privilege of sharing my triptych art, copper wall art, and landscapes with collectors worldwide. My work has been embraced by private collectors, institutions, and showrooms in more than 15 countries. Knowing my art resonates with people across cultures continues to inspire me.

Looking Ahead

I’m excited to continue expanding my collection of triptych art and copper wall art, discovering new ways for these formats to interact and evolve. Each piece I create is more than a combination of colour and form—it’s a story, a reflection on life’s beauty and complexity, and an invitation to connect with the viewer.

Thank You

Thank you for exploring my world of triptych art, copper wall art, and landscape painting. My hope is that each piece offers not just visual interest, but an experience—a celebration of life’s layered beauty.